In late 2018, Wallpaper magazine invited us to collaborate with Brendan Ravenhill to create a piece for the Wallpaper Handmade exhibit, « Love. » Together we created a lamp that would embody the theme of love. The resulting design is a lamp in two parts that engage in a relationship with each other. One part is a light source that cradles a bulb in a brass shell, the other is a stand alone reflector that captures and bounces the light back in a soft reflected glow.

A model of the piece is made out of beeswax. In Burkina Faso, it can be very difficult to handle the wax due to the heat. The country is close to the Sahel region and the temperature can reach 48°C.

In the case of a series of the same object, a plaster mold is built up on the wax model to easily replicate the model. In the case of unique pieces, plaster is not needed. Drains and air-vents are added to enable the melted wax to flow. These same channels will be used to cast the molten metal.

The wax model is wrapped up in many layers of a mix of clay and horse dung. The whole is secured with metal wires and then baked for a few hours depending of the piece’s proportions.

Once the clay has hardened and the wax melted, the melted wax is evacuated and put aside for reuse.
The wax area is now empty and ready for bronze to be poured in.

Bronze is made from recycled metals such as taps, screws and bolts. They are heated to about 1200°C in a melting pot dug into the ground. When the fusion occurs, the bronze is poured in the clay mold. The metal is left to cool and harden in the clay moulds for about an hour and a half.

When cooled, the mold is extracted and the clay is broken away from the bronze. The wires are removed and the surface is cleaned-up. If needed, some repairs are done. The lamp’s surface is then finished for the team in France to add the special finishes.

The final finishing stage and the patinas are provided by our affiliated workshop in the south of France.